Jeremy Sharma works with painting and writing, with side interests in music and filmmaking.

He has exhibited widely and his career highlights include solo exhibitions and presentations Recent Paintings (2024) with Haridas Contemporary; Spectrum Version 2.2 with Sullivan+Strumpf Gallery (2017); Orbiter and Sonata with Michael Janssen Gallery, Berlin (2016); Apropos at the Institute of Contemporary Arts Singapore (2012); the Busan Biennale (2014) and the Singapore Biennale (2013). 

Jeremy’s academic contributions include ‘What can we draw from digitality?’ (2023) in the journal Drawing: Research, Theory, Practice, ‘Abstraction As: Object, Process, Rhythm, Force’ at the Singapore Tyler Print Institute (2019), and ‘The influence of cinema on painting’ in the Journal of Contemporary Painting (2015). He runs bulanujung, an experimental curatorial platform and his first publication Slander!—An investigation into auto-theory through six Malayan films was released in 2024 with Set Margins (The Netherlands).

His work has been the subject of critical discussion in various print and online publications including Art Radar Journal, Asian Art News, Asia Art Pacific and Wall Street International and is part of a number of public and private collections.

He has also done residencies in The Netherlands, India, Italy, Mexico, the Philippines and the UK.

For more, visit here.